NO!art + ABOUT + FRONT + MANIPULATION + ALERTS + MAIL EN | DE
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about


ABOUT
TIMELINE
ACTIVITIES
ALERTS
ARCHIVES
BIBLIOGRAPHY
BIOGRAPHY
BOOKS
COLLAGES
CONVERSATIONS
DRAWINGS
FILMOGRAPHY
INSTALLATIONS
INTERVIEWS
PHOTOGRAPHS
RADIO
REVIEWS
SCREENINGS
SHOWS
VIDEO
WRITINGS

WIKIPEDIA

CLAYTON GALLERY
& Outlaw Art Museum

NO!art
occupies
the strategic
juncture where
artistic production
and socio-cultural
action meet.

STUETZPUNKT
FOUNDATION

NO!manipulation

 
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CLAYTON PATTERSON, born October 9, 1948, in Calgary, Canada. Studies of art and design at various universities. Since moving to New York City in 1979, his work has focused almost exclusively on documenting the art, life and times of the Lower East Side [LES] in Manhattan. Fights against the injustice of state-authorities. In 1994 he organized the first NO!art show in his gallery after 20 NO!years. Took part in the NO!art-box multiple at Edition Hundertmark 1996, and in the NO!art-show at Janos Gat Gallery in New York in 1998. Works as Documentary-, Libertarian-, and Tattoo-artist in New York together with his wife Elsa Rensaa and various social groups. Owns and runs the most voluminous and important NO!art video-archive. Lives in New York and leads the NO!art headquarters west.

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2022
8th Acker Award | Theater for the New City, New York
I'm Everywhere POP-UP | CllctvNYC, New York
Plaque | City Lore, New York
Lower East Side History Project | New York

2021
Acker book 2020 | Acker Awards, New York
Beauty Mark: Clayton Patterson | Exhibition at Printed Matter/St Marks, New York
Clayton Patterson Videographer | MOMA screening, New York
Seventh Acker Awards | Johnson theater, New York
Shane Enholm chats live with Clayton Patterson | 8ball radio, New York
The Seven Letter Word Game | booklet, Urania Press, New York
The Camera | Clayton Patterson Books LLC, New York

2020
At Jump into the Light VR | The Village Sun,New York
Claudio, Chris and Coss Marte: A bodega, poetry, politics and . . . | Village Sun
Clayton in Lockdown - Behind the Front Lines with Dr. Ores | 8ball radio
Patterson’s Five Essential Downtown New York Creators | By Michael Kaminer
Comings, goings… and lots of graffiti | The Village Sun
Community Isolation Coming Together | circular
Conversation with Portnoy, Moskowitz and Chevan | 8 Ball Radio, New York
Conversation with Jose COCHISE Quiles | 8 Ball Radio, New York
Conversation with Julian Voloj | Youtube
Drugs and Anti-Police Protests | Bowery Boogy, New York
Earl Einhorn - Making Magic with Digital Art | The Village Sun, New York
Essex Street Crack Busts in the 1990s | Bowery Boogie, New York
Galinsky featuring Clayton Patterson | The STAGE Network war live, New York
Hard-Working Heroes | The Village Sun, New York
Jimmy Webb: Rock fashion icon ‘walked on the wild side’ | Village Sun
LA II deserves his due: Tagger was key to Keith Haring’s art | Village Sun
Mickey the Pope and Drugs on the LES | Bowery Boogie, New York
Paula Grimaldi-Reardon, 65, Photographer | The Village Sun, New York
Reflects on the Importance of Recording the Past ... | The Village Sun, New York
Seventh New York Acker Awards | livestreaming on instagram
Slide show #1 | with Elsa Rensaa and Ron Zonie, music by Burning Buddha
Summer is coming | Facebook
Tattoo Gazette 5th | Urania Press, New York
The New, Lonely Challenge City Seniors Face During COVID-19 | Spectrum NY1
Workers Are Still Bravely Working It | The Village Sun, New York

see past on TIMELINE

NO!art involved Artists: ARMENTO + ARONOVICI + BAJ + BARATELLA + BECHER + BROWN + BRUNET + BRUS + CHORBADZHIEV + D'ARCANGELO + DAYEN + DE RUVO + EHM-MARKS + ERRO + FABRICIUS + FISHER + GATEWOOD + GEORGES + GERZ + GILLESPIE + GILMAN + GOLDMAN + GOLUB + GOODMAN + HALLMANN + HASS + HJULER + KAPROW + KIRVES + KUSAMA + KUZMINSKY + LEBEL + LEVITT + LONG + LST + LURIE + MASTRANGELO + MEAD + MESECK + PATTERSON + PICARD + PINCHEVSKY + RAMSAUER + RANCILLAC + ROUSSEL + SALLES + SALMON + SCHEIBNER + SCHLEINSTEIN + STAHLBERG + STUART + TAMBELLINI + TOBOCMAN + TOCHE + TSUCHIYA + VOSTELL + WALL + WOLF + WOYTASIK + ZOWNIR

NO!art has continued way beyond 1964 and also prior to 1958. The "cutting-off" date 1964, as espoused by the art historian is entirely artificial. Such cutting-off dates are common to art historians, done for cataloguing purposes, and what is more, for accreditation of monetary value in the art market. The cutting-off dates also have a devastating effect on the production of artists, who are, by those means, being convinced that what they produce after a cutting-off date is secondary in importance, and do not belong any longer to the "new times". Yet the art market hated it, for practical reasons of creating confusion about monetary value. That is the main and real reason for art historians and critics insisting on this untrue measure. - Boris Lurie, 2003.

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